Tuesday, July 29, 2014


Our submission to years trembles the fitful breeze
Bloodprints of the tremulous headlines
Torpid peace collapses the chorus of thieves

The lords of the innocent surrender to withered knees
Look yonder for the pale twilight of forgotten graves
Our submission to years trembles the fitful breeze

The labrythine crimes absolve fragments, disease
March the anarchists through purgatorial mountainslides
Torpid peace collapses the chorus of thieves

Those lamentations, those sailors, those erasured degrees
One million gold doubloons for the triumphal arch of Babylon
Our submission to years trembles the fitful breeze

Gods and damn the youths of wasted streets and needs
Electronic templar knights vote to lick the pregnant tombs
Torpid peace collapses the chorus of thieves

Laugh at the truth of sorrowful men in Christ’s shattered bazaar
Populations have plugged the lines of nations
Our submission to years trembles the fitful breeze
Torpid peace collapses the chorus of thieves

(from VISIONS OF A TREMULOUS MAN, forthcoming)
Vincenzo Bilof-2014

Monday, July 14, 2014


On the edge of hilarity and terror, Toxicity challenged how I should approach a novel. Quentin Tarrantino is the master of mundane dialogue while presenting despicable characters who remain interesting, with an infusion of dark humor that is borderline silly in a different context. While reading Max Booth III’s first novel, I struggled to understand why I didn’t like it, and why I continued to read it. Halfway through the narrative, I suddenly realized that I loved it, and finished the rest of it in one sitting. 

The first time I had watched Pulp Fiction, I was apprehensive and curious until the infamous “Bonnie Situation.” I felt the same way about Toxicity, and all the humor and dialogue began to make sense within the framework of the novel. None of it seemed out-of-place or inconsistent. This is an accurate depiction of a book that would be a Cohen Brothers-directed movie with Tarantino penning the screenplay. Instead of providing a convoluted review, I decided to track down the author and ask him about the film version of his book, which should be coming to theaters sometime in 2019. Max Booth III is the rare author who has been afforded the luxury of choosing the cast himself before he sells his stake in his intellectual property. Booth promised we wouldn’t be forced to watch an Anne Rice-style bastardization. 


What is the title of your latest book? 


Where did the idea come from for the book?

I was a 12 year-old kid bored out of my mind. I wanted to write. I'd written before, but never anything I felt (at the time) was worth a damn. I wanted to write something I truly understood. So, I picked up a notebook and pen and began writing about a dysfunctional family. The family was basically my own family. Each character was a doppelganger of someone I already knew. I made them win the lottery, because at the time, I would daydream about winning the lottery and escaping the suburban ghetto. So, the initial idea came from my own attempt to predetermine a ridiculous yet fantastic future for myself and my family. I realized not too long into the story that my family would never spend their lottery winnings wisely, so that is where much of the humor and absurdity originally sprung from. 

After so long, I also realized I had no idea where to go with the story, so I brought in gangsters with guns. They came into the family's house mean and blood-hungry. These gangster characters were largely underdeveloped and stereotypical, so I went back to the beginning of the story, and told it through the gangsters' POV, what they had been up to while the family won the lotto and destroyed their newfound fortune. Just by exploring these other characters I was able to discover a whole new plot to intertwine with the existing lotto story. I made these characters breathe and, as one crazy thing after another occurred, the overall plot showed itself to me. 

I rewrote the book many, many times throughout my teenage years. I’m 21 now, and the book was published this April. It's been a long road, and the book is nowhere like what it once was back when I first started writing it. I know each character inside and out. I am proud of them. None of them are flawless, and that is what makes them beautiful. 

What genre does your book fall under?

I’ve been marketing it as a dark comedy crime novel. It’s much more than that, I think. “Insanity” is not a genre, though, but it totally should be. A lot of reviewers like to compare it to Quentin Tarantino and the Coen Brothers, so I guess Toxicity has the same sort of ultra violence/absurdity/humorous style.  

What actors would you choose to play the part of your characters in a movie rendition?   

Maddox Kane – Timothy Olyphant 

Maddox is one of the three main characters of Toxicity. He’s an ex-con trying to reconnect with his daughter, Addison, while dealing with his massively idiotic and annoying brother, Benny. Things quickly go bad for Maddox in the novel, and only get worse as the story progresses. Timothy Olyphant would be the perfect actor for this role. I’ve been a big fan of his for a while now, but his strength in Justified fully…uh, justifies his ability to play the badass tough protagonist that is Maddox Kane.

Addison Kane – Tatiana Maslany
Addison is the 17 year-old daughter of Maddox. Early on in the novel, her and her boyfriend, Connor, find themselves into some deep shit involving a corpse decomposing in the woods behind a local drugstore. They do whatever they can to scavenge up enough cash to skip town, even if that includes taking advantage of her father, who until recently she thought was dead. Tatiana Maslany would be a good fit, I think. She’s in her late ‘20s now, but she still could pass for an older teenager. I recently started watching Orphan Black, and she is goddamn amazing in it. 

Johnny Desperation – Evan Peters

Johnny is the third main character of the novel. He’s a teenager stranded in the ghetto with his trailer trash family until, one day, his mother wins the lottery and they become millionaires overnight. Johnny quickly progresses from “punk rocker” to “snob” as his new surroundings corrupt him. He also becomes addicted to a new drug called “Purple”, which allows him to see the Fly, who is quite possibly the second coming of Jesus Christ. I am a huge fan of American Horror Story and I’ve always thought Evan Peters kills each role he’s given. He plays the disturbed teenager well. Plus he looks exactly how I pictured Johnny when writing him. 

Benny Kane – Steve Buscemi

Benny is Maddox’s younger, stupider brother. He’s pretty much Steve Buscemi. I don’t think I need to explain much more than that. 

Connor Murphy – Robert Sheehan

Connor is Addison’s boyfriend. Typically immature, his heart is in the right place. He would defeat the universe if it meant saving Addison’s life. But he would be cracking dick jokes pretty much through the whole battle. I used to love the show, Misfits, and Robert Sheehan’s character on it is a strong comparison to Connor. He’d do this role justice. 

The Fly

The Fly may or may not be an omniscient being who has arrived on earth to convince Johnny to jumpstart the Apocalypse. The Fly knows all. The Fly is you and the Fly is me. Do not fuck with the Fly. Obey the Fly or all will die. Obey the Fly or all will die. Obey the Fly or all will—oh, wait, anyway. Yeah. Jeff Goldblum. 

What is the one sentence synopsis of your book?

The world is shit but sometimes it is not. 

Is your book self-published or represented by an agency?

Toxicity was released by a small press called Post Mortem Press. 

What other books would you compare this story to within your genre?

 I’d say anything by Carl Hiaasen and Elmore Leonard. 

Who or what inspired you to write this book?

The flies, baby. The flies inspired me. 

What else about your book might pique the reader’s interest?

I don’t know. The pages give you a decent paper cut if you hold them a certain way, if you’re into that sort of thing, I guess. 


Max Booth III is the author of two novels, TOXICITY and THE MIND IS A RAZORBLADE, along with a collection of flash fiction called THEY MIGHT BE DEMONS. He is the co-founder of Perpetual Motion Machine Publishing and the assistant editor of Dark Moon Digest. The editor of numerous anthologies, he has studied under Craig Clevenger and award winning editor, Jennifer Brozek. He writes columns for Litreactor. Raised in Northern Indiana, Max currently works as a hotel night auditor somewhere in San Antonio with his dachshund and life partner.

Thursday, July 3, 2014

Werewolves, Booze, and Zombies Podcast

I stopped by the Books and Booze Podcast and talked about the writing process, werewolves, zombies, and of course, werewolves vs. unicorns.


Here's the URL (just so you know I'm not sending you to Virus Land)

You can also check out this interview I did with THE NEXT BIG BOOK CLUB, in which I talked about the types of alcoholic beverages my characters would 

I'm finishing up the Zombie Ascension trilogy right now. I just discovered SKYRIM, so you have to give me a break... I know the game is old, but I couldn't get into the hype when it was popular. So yeah...

The third book in the trilogy is called SAINT PAIN.  I expect to have this monster of a book done this summer, with a release in August/September. The third book will discuss the effects of PTSD and survivor's guilt on those who have been left behind. Of course, there will be zombies...

I also have another poetry narrative coming out soon called, VISIONS OF A TREMULOUS MAN. In January, Perpetual Motion Machine Publishing will be releasing VAMPIRE STRIPPERS FROM SATURN, a sort of horror-satire. 

Friday, June 27, 2014


My knee-jerk reaction when I hear that a movie I love is about to be remade is typically: “THEY’RE GOING TO RUIN THE ORIGINAL! I LOVE THAT MOVIE! IT DOESN’T NEED TO BE REMADE!” Writing this is going to prove a bit therapeutic for me, because no matter how much I try to think this through, I still start to get a little flustered when I see that a beloved movie is going to be re-imagined.

But allow me to play the role of devil’s advocate (I’m talking to myself here). 
How could movie remakes be a positive thing?

Well, in the end, I think that would depend on the quality of the new film. The idea that these movies are automatically going to be terrible, or they shouldn’t be remade, does need to be revisited. 

1. Most importantly, everything has been remade, and everything will be remade, according to the tradition of Western storytelling. I’m not trying to sound overly pompous here, but the idea that “nothing is original” has a lot of truth to it. The stories that we love typically follow the Aristotleian plot model, and many books we love have a formulaic approach to their presentation. More often than not, we are recycling the same Ancient Greek and Sumerian stories (insert another ancient civilization, throw some parables and myths in there, mix them into a pot, and you’ll see too many similarities, though this may cause discomfort). The Hero’s journey story of Odysseus, the forbidden love-lust young-angst chronicle in Romeo and Juliet; sprinkle some sparkly vampires or pirates or aliens, and you’ll see that simply the presentation is one of the only things that has changed. So if we get over the idea that movie remakes are ruining the original… then we should just stop telling stories and stop making movies altogether, because if it’s been done before, then we shouldn’t do it… and nearly everything has been done before (please don’t throw rocks at me if you’re thinking about David Lynch movies or William S. Burroughs’ fiction, because I said nearly everything).

2.  Movies have sentimental value to us—sometimes we love movies that a lot of people hate because we made an emotional connection to its content. Everyone’s entitled to their opinion, and you’re entitled to disagree with me on this point: As an educator, I stand in front of a classroom full of people, and once in a while, someone will just shout something to the effect of, COUNTRY MUSIC SUCKS, or, I HATE JUSTIN BIEBER. Meanwhile, someone in the class loves country music or Bieber. If they are a quiet person, they will say nothing and not engage with a stronger personality, but on the inside, they have already developed a negative perception of this person (I’ll explain why in a moment). A more aggressive person will begin to argue with them. Since music and movies have sentimental value to us, it can be offensive to suggest that something someone loves so much outright sucks, because then you essentially attract a group of “followers” who agree with you and want to partake in your art-trashing. Okay, I know we live in a hyper-sensitive culture, but I think if you’re going to announce that something absolutely sucks, then be prepared to have discussion about it, not an argument. I think people typically have a breakdown in the discussion-argument department. I am going to say something that will blow your mind: since movies and music have sentimental value, calling someone out on the things they enjoy on an emotional level is like telling them that their faith is bullshit. Yes. I said it. I’m comparing someone’s love for something to religious faith. I suppose this is another statement that can move tabled for further discussion, but I will say that when we can admit that the movies and music we enjoy while growing up do in fact shape us in some way (we “identify” with it), and if we can admit that love is a variation of worship (especially courtly love…), then I think it’s safe for me to make a connection between faith and art. 

3. A lot of movies have been books before. Duh! If I wanted a movie that was “true to the book”, I would just read the book. I have my own visuals, I have the story I love… so why I should I care if it’s an exact replica of something I’ve already experienced? I personally love it when films deviate from the source material, or put a different spin on the concept. I’ll never forget when people were upset that Prometheus didn’t have too many of the xenomorphs… if I wanted to watch Alien, I have it on DVD. I’ve read all the Song of Ice and Fire books that have been published so far, and as much as I have loved the books, I think the television show does a lot of things better. I dislike The Walking Dead as a television show, though at first I liked all the differences from the source material (I just started to really hate the show, but that is how I feel about it, I didn’t say IT SUCKS, which kind of indicates that anyone who likes it has bad taste). I can bring up several examples, but let’s remember than a movie is a story, and the story  is often written as a screenplay; if we suggest that a movie remake is another rendition of a story, then it’s no different than a movie that portrays a book. A movie can do something different with the same story, and I think it holds true when we talk about remakes and reboots.

Here are a few remakes/reboots that I personally enjoyed. I looked forward to seeing a couple of them, hence why my knee-jerk reaction has been somewhat hypocritical:

1. Halloween 
2. (Insert movie title) by Quentin Tarantino
3. Scarface 
4. The Ring
5. The Departed
6. Dawn of the Dead
7. Night of the Living Dead (Tom Savini)
8. Evil Dead
9. A Fistful of Dollars
10. The Thing (John Carpenter)

What are some movie remakes you loved? What are some that you disliked? 

Monday, June 16, 2014

Depression and Creativity Collide

Grant Wamack, rapper, writer, and existential warrior of the cosmos, has just dropped his new novella, A Lightbulb's Lament. Since the bizarro genre is a literary phenomenon that uses metaphorical devices to explore our emotions and our society, Grant discusses the role of depression in the creation of a hero so many of us want to be; a hero who is the figurative warrior against personal darkness--Mr. Watts. 

Blog Postage (Lit Edition)
by Grant Wamack

Let's flashback to my freshmen year in college. I just moved out of the dorms and eased into a studio apartment in the heart of Northern Illinois University's campus. I was getting pretty good grades,  some of my short stories were beginning to be published, I had good friends who made sure I was making moves on the regular, I was finally able to get away from my dad's overbearing presence, but still... there was something nagging at me. Doubts about the future, terrible luck with women (even though I was surrounded by the “hook-up” culture), and most importantly I was still uncomfortable with myself. 

Cue existential crisis and questions. Why the fuck am I an English major?  I don't want to be a teacher. Why am I trying to please my Dad by majoring in English? I'm so much more than that. More than this. These thoughts would go on and on and I would sink into deeper levels of depression, dragging anyone in my immediate circle down with me. Everyone was partying on the weekends and I'd be in my room battling the black dog raging inside my head. 

Late nights spent alone watching Salad Fingers, consuming tons of weird fiction as a form of escapism, recording my first rap mixtape Heavenly Fridges, and lots of cathartic writing. It wasn't enough though. I had to do something to expel this energy. 

I carried a small notebook in my back pocket for ideas (I still do), and one day while working at Home Depot, I was struck with the image of a gentleman with a lightbulb for head and a world full of darkness. It was so compelling that I fleshed out a loose outline over the course of the next week. Earlier that year, I finished my first bizarro novella, Notes from the Guts of a Hippo, which was a major feat for me since I could barely write a 5,000 word short story. However, I had an idea and it had to be written. Not just to prove to myself that I could do it again, but to fix this depression holding me back.

It might be important to note that I've always been interested in magic, rather it be on stage, hoodoo, mysticism, astrology, or numerology. I thought of this as a ritual of sorts. I thought if Mr. Watts, the main character, could bring light to this fictional world that it could possibly bring that figurative light to my world as well. There's this idea if you work on your inner world, it will directly ripple out into the physical plane. 

Did it work? 

In a lot of ways yes; I'm in much better shape mentally thanks to affirmations, better eating habits, good friends, and self love. Mr. Watts represents a turning point in my life; his journey is my journey. All of us have moments of self-doubt and identity confusion, but I know there is a light in the darkness...

You can also check out his lyrical experimentation/exhibition...

Grant Wamack writes weird fiction, raps, and weaves dreams at night. During the day, the Navy employs him as a Mass Communication Specialist, in other words, a "super" journalist

Art: http://artspazm.tumblr.com/

Saturday, May 3, 2014

Zombie Horror: Reflections on a Genre

I still envision zombie fiction as a horror sub-genre, but it has evolved into its own genre. I don’t think that’s a bad thing; less than a decade ago, it was a challenge to find any zombie fiction at all. People like myself who grew up with zombie movies were teased by the possibilities; Romero and the other zombie-film directors were never given huge budgets to work with, so it seemed as if they spent more of their budget on the things that mattered most: makeup, gore, and securing a vivid location. I know Romero’s original Day of the Dead script was hacked to pieces, but I still love the film. 

Brian Keene, Joe McKinney, David Moody, Jonathan Maberry, Mark Tufo; these authors helped pioneer the emergence of zombie fiction as its own genre, almost separate from horror. Robert Kirkman’s Walking Dead comic series bridged the gap between niche-horror and mainstream entertainment. There are so many possibilities now for people who have an imagination; there are now thematic variations of zombie fiction. Survivalist, Dystopian, military adventure; these seem to be the popular incarnations. 

A lot of zombie fiction seems to be fit more into an action/adventure mold than horror; the survivalist books can still be frightening, because we have the anxiety that comes with surviving a natural disaster, the psychological damage, the fear of other survivors in a post-apocalyptic setting, etc. Then we have the Call of Duty video game zombie novels, in which we have a bunch of soldiers at war with zombies. We still have books where swords can magically decapitate zombies (if you know me, you know this is a HUGE pet-peeve of mine), and that’s cool. That’s what people want to read. I think there is a lot of potential in this particular fiction market, but…

What happened to zombie horror?

Zombies just aren’t very scary in most books. 

I’m not attempting to deviate into what is scary about the books, but rather, I would like to find out where the zombie fiction books that portrayed the undead as terrifying WITHOUT the emphasis on post-apocalyptic-survivalist-military action. Yes; the living are often more terrible than the zombies. WE GET THAT. There is so much potential in the zombie idea, but we are seemingly stuck. There are some original stories out there, but they’re harder and harder to find. I’m bored with zombie fiction. Very, very bored. I don’t like most of it. In fact, I dislike the vast majority of it. About 99.9%. 

So I decided to write the zombie books that I would want to read. I could still incorporate plenty of action, but I wanted the zombies to become menacing again. I wanted to read beautiful prose, so I made an attempt. My zombie books have a lot of detail; according to reviewers and blog reviews. A lot of my characters aren’t good people (I wrote a blog post once about my belief that “good” people wouldn’t survive  very long in a zombie-apocalypse scenario), but they are still not as bad as the zombies… so there is still a contrast. The zombies are always more terrifying. 

The Zombie Acension trilogy is nearing its end. The final book in the trilogy involves a heavy look at PTSD and survivor’s guilt as it would relate to a post-apocalyptic scenario. The book, titled Saint Pain, is about the never-ending horror that has become a sort of disease; the horror of survival. Robert Kirkman briefly writes about the subject in the Walking Dead comic, but I wanted to take it a step further.

A zombie apocalypse should be brutal, terrifying, awful. We’re talking about a world that has become lawless…

I suppose I wrote this blog because now I'm being labeled as a poet, bizarro writer, editor... and I used to avoid being called a "zombie author." 

My work is zombie horror. Maybe a bit of survival horror (I hear that’s a sub-genre, too), with some explosions and bullets and sex sprinkled in. I take that back. A lot of bullets, a lot of sex, and a lot of blood. 
My civil war book, Nightmare of the Dead, is almost entirely a horror novel that features zombie-like creatures as monsters, but in the end, it’s horror. 

The horror, the horror…

I want zombie horror, so I wrote it. My vision of the apocalypse is a dark one… there is no cure for death, there isn’t a knight in shining armor coming to save the human race…